Near real-time: inside the making of ‘Comandante’, before it is even made
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked
‘David had the picture of the movie in his head’
The VFX supervisor of ‘Panic Room’--the film is now two decades old–shares key moments from its production.
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Issue #65: The visual effects of The Electric State.
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