That time James Cameron gave ILM a day to come up with a test for ‘The Abyss’
What should a CG water tentacle should look like, anyway?
Sometimes you just need to blow-dry your 3D printed hands in order to animate them
Behind the scenes of the stop-motion short, ‘Bone Mother’.
The evolution of a VFX scene
How Hellboy’s epic fight against 3 giants came to be.
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The large-scale effort to replicate London’s Tower Bridge for ‘Far From Home’s’ finale
Lidar, shooting panos and textures 3 times a day, and closing the Bridge for just 2 minutes at a time.
I think I’ve seen a glimpse into the future of filmmaking
And it involves getting a whole lot of VFX shots in-camera.
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Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
