Director and animator Raman Hui on his PDI beginnings
From Hong Kong, to early CGI commercials, Antz, Shrek and more.
How ‘The Bad Guys 2’ filmmakers approached stylization and combining 2D and 3D FX
The tools and techniques that gave the sequel its hand-crafted look. With EXCLUSIVE breakdown videos.
‘If you want a painterly bush, paint the bush’
How the painterly style of ‘The Wild Robot’ was realized. An excerpt from issue #25 of befores & afters magazine.
Some fun behind the scenes from DreamWorks Animation’s ‘The Wild Robot’
Two featurettes from the studio include making of footage and breakdowns.
Celebrating 25 years of PDI’s ‘Antz’
Looking back at the tech and artistry from the 1998 film with VFX supervisor Ken Bielenberg.
Here’s how DreamWorks lent a whole new brand of stylized look and feel to ‘Puss in Boots: The Last Wish’
Behind the design and the tools utilized by the studio on the film. If there’s one trend stirring up the feature animated
Director as cheerleader? Budget-minder? Technician? What are the different sides to directing an animated feature?
Director Joel Crawford on making DreamWorks Animation’s ‘The Croods: A New Age’.
How DreamWorks solved Troll glitter
They had to solve fur, fabrics and fuzz, as well.
Get my new book in PRINT or on KINDLE.
Issue #66: The visual effects of Avengers: Endgame.
Latest limited edition t-shirt: Pseudopod.
