Going behind the scenes on the visual effects of ‘Alien: Romulus’
'Alien: Romulus' visual effects supervisor Eric Barba about the VFX Oscar nominated film.
On The Set Pic: ‘Back in Action’
Cameron Diaz as Emily on the set of Back In Action.
Watch this virtual production b-roll for ‘Flight Risk’
The b-roll showcases the shooting of plane bodies on motion bases against an LED wall for the film.
More of ‘Skeleton Crew’s’ Mama Crab from Tippett Studio
Watch the new video.
Get all the details on the upcoming Virtual Productions Gathering 2025
It's happening in Breda, Netherlands April 9-10, 2025. Find out how to get discounted tickets with a special befores & afters code.
Our VFX Oscar nominees season of VFX Notes is here, starting with ‘Alien: Romulus’
Go behind the scenes of the creatures and space environments of Fede Álvarez's film.
Here’s ILM’s VFX breakdown for ‘Wicked’
Showcasing the work behind the Emerald City and more.
Old-school and new-school tech in ‘Wallace & Gromit: Vengeance Most Fowl’
Will Becher, supervising animator and stop motion lead at Aardman, on 'Wallace & Gromit: Vengeance Most Fowl' and the tech used in the film.
Adding to the Offspring, and crashing a massive space station
Behind Wētā FX’s killer visual effects on ‘Alien: Romulus.’
How One of Us gave a stop-motion feel to their digital visual effects on ‘Beetlejuice Beetlejuice’
Behind the scenes of the Sandworm, the shark attack, and those face-stretching shots.
See the speaker line-up at IAMAG Master Classes 25
Includes artists from Arcane, Avatar: The Way of Water and The Wild.
‘…one more thing’
How the directors of ‘Heretic’ gave Niche VFX the film’s biggest and most surprising VFX shot.
A new VFX breakdown for ‘Mufasa’ is out
See how MPC crafted the film.
This year’s Sci-Techs have been announced
See all the recipients here in this press release from the Academy.
The making of ‘Defying Gravity’
Stunts, special effects and digital effects combined for this incredible 'Wicked' moment. An excerpt from befores & afters magazine.
Snowmen in the sun, and other incredible effects
Behind the visual effects by Imageworks for ‘Red One’.
Why 3D Gaussian Splatting Just Got Better with KIRI Engine Version 3.13
New 3D Gaussian Splatting tech, a website redesign, and more.
Here are all the Oscar VFX nominees for 2025
Congrats to all the nominees!
How “BMX” Pushes the Boundaries of Motion Capture
Elevate visual realism through synchronized human movements and animated props
All the ‘Dune: Prophecy’ VFX breakdowns in one place
Featuring work by Rodeo FX, Image Engine, Accenture, ILP and more.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX