ILM’s Ben Morris reflects on ‘The Last Jedi’ and ‘ABBA Voyage’
Behind the key challenges in those very different projects.
Watch Framestore’s VFX breakdown for ‘Mickey 17’
Check out the breakdown and grab the magazine.
Go behind the scenes of this fun TMNT / Magic: The Gathering commercial
Including the stand-in performer, and a look at the live-action/2D animation approach.
A few recent ‘Fire and Ash’ behind the scenes featurettes
These are from the home release of 'Avatar: Fire and Ash'.
ILM’s ‘The Wall’ breakdown from ‘Stranger Things’ 5
Go behind the scenes.
The making of ‘Wonder Man’
Behind the invisible visual effects in the Marvel series.
On The Set Pic: ‘Apex’
Charlize Theron on the set of Apex.
Watch Outpost’s VFX breakdown for ‘Bridgerton’ season 4
Go behind the scenes.
ILM’s Rachel Rose on the R&D side of visual effects
How StageCraft came to be, plus a look at BlockParty 2 and Fez.
All the ‘Witcher’ season 4 VFX breakdowns in one place
Featuring work by Cinesite, EYELINE, Vine FX, Milk VFX, One of Us and Platige Image.
Watch ILM’s VFX breakdown for ‘Stranger Things’ 5
Go behind the scenes.
Current obsession: this how to animate water video from LAIKA
It's part of their Craft in Motion series, and includes both practical and digital water.
Want to learn how ‘The Dinosaurs’ was made? Watch these featurettes
Rare glimpses inside ILM, and a look at the stuffies, practical builds and VFX work.
Watch El Ranchito’s VFX breakdown for ‘Marty Supreme’
Ping pong, crowds and more.
Here’s Hybride’s VFX breakdown for season 2 of ‘Andor’
Including significant environment work on Ghorman.
From classroom to credits
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
VIDEO: ‘Project Hail Mary’ creature effects creative supervisor Neal Scanlan on the magic of Rocky
Behind the scenes on the Rocky puppets and animatronics created for the film.
How that enormous goldfish was made in ‘One Piece’
EYELINE breaks down the giant goldfish, and the dinosaur scenes, from season 2.
Olivier Gondry on the making of Kylie Minogue’s ‘Come Into My World’
We revisit this making of article in light of the new Margot Robbie CHANEL ad directed by Michel Gondry.
Powering a VFX Oscar winner
Behind two key Wētā FX tech developments for fire and character deformation on Avatar: Fire and Ash.
War Machine
Get issue #54
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX