Wylie Co. details the making of the blue eyes of the Fremen in ‘Dune: Part Two’
Including the machine learning aspects of the VFX work. Follow along with Wylie's fantastic thread on Twitter.
Get ready for the ‘Then & Now’ VFX sessions at FMX in Germany
Mike Fink, Mark Elendt, Todd Sheridan Perry and Hugo Guerra...go old school!
‘Godzilla Minus One’ wins the VFX Oscar
It beat out The Creator, Mission: Impossible – Dead Reckoning Part One, Guardians of the Galaxy Vol. 3 and Napoleon.
How the VFX team on ‘Maestro’ made the Thanksgiving Snoopy balloon look like Leonard Bernstein was feeling
Behind the invisible effects in the film, which also included crowds, a paper airplane and even wallpaper.
‘He’s such a foul bear, but he’s doing these things that are kind of cute’
Framestore animation supervisor Nicholas Tripodi breaks down the art of bringing Ted to life on TV.
Wormriding: a brief how-to
The incredible sequence in 'Dune: Part Two' and how it was made.
A quick note on the blue eyes in ‘Dune: Part Two’
A machine learning model helped achieve the effect.
A lesson in VFX problem solving from beloFX on ‘Madame Web’
CG spiders, webs and even a crashing car formed part of the studio’s work on the film.
See all the winners from the VES Awards
The Creator took out the main VFX prize while Across the Spider-Verse won big in animation.
Behind the Oscar-nominated short ‘WAR IS OVER!’
How the short was made, including how Wētā FX used Unreal Engine to craft the film's stylized look and feel.
From ‘Speed’ to ‘Gran Turismo’: how the Blind Driver Roof Pod changed car chases in the movies (and how it all started with a forklift)
The tech is being recognized with a Scientific and Technical Award.
An upcoming Propstore auction will feature the Lobster Spinner from ‘Blade Runner’ built by Bill George
And etched brass for the Hades landscape from the opening of the film, and a matte painting by Matthew Yuricich. OMG. See
When your creature is a mix of a pangolin and star-nosed mole (oh, and bigger than a plane)
How Framestore made the Frost Vark in Monarch: Legacy of Monsters, plus behind the scenes of their Brambleboar.
VIDEO: Why Gareth Edwards kept some of the early VFX tests for ‘The Creator’ in the actual movie
'The Creator' director Gareth Edwards and ILM visual effects supervisor Jay Cooper sit down with befores & afters.
Here’s how The Mill put a mullet on an eagle (and a turtle) for the Kawasaki Super Bowl spot
Check out the video VFX breakdown for the behind the scenes process.
ILM’s Rob Bredow shares his thoughts on driving creative and technical design
befores & afters sat down with the Industrial Light & Magic SVP and chief creative officer at SIGGRAPH Asia.
Hand-made paintings and sculpted maquettes were part of the VFX creation process on ‘Dial of Destiny’
Production visual effects supervisor Andrew Whitehurst from ILM details more on de-ageing Harrison Ford, plus the film’s trip into the time fissure.
96th Academy Awards – VFX Oscar nominees are…
Read the full list here!
See the 22nd Annual VES Awards nominees right here
See the 25 categories and nominees at befores & afters.
The meticulous art of sending a locomotive off the edge of a cliff
A combination of full-scale practical effects, and invisible visual effects from Industrial Light & Magic, made it possible in ‘Dead Reckoning Part
Here’s the different tech and artistry Industrial Light & Magic employed to de-age Harrison Ford for ‘Indiana Jones and the Dial of Destiny’
Behind ILM FaceSwap and the process the VFX studio followed to turn Ford from 80 to 42.
‘It was literally: shoot, here’s the plate, make it work, go’
Behind the slightly old-school VFX approach on ‘The Creator’.
Sci-Tech winners include OpenVDB, Marvelous Designer, USD, Alembic and the Blind Driver Roof Pod
See the scientific and technical achievements to be honored here.
Don’t miss Legacy Effects’ showcase page for ‘Guardians of the Galaxy Vol. 3’
Featuring creature designs, concepts, fabrication, costumes and props.
How the underwater scenes in ‘Aquaman and the Lost Kingdom’ were filmed
Official production notes detail the Eyeline Studios approach to filming the actors with volumetric capture.
‘A grungy, gritty feel’
Behind the visual effects of Zack Snyder’s Rebel Moon – Part One: A Child of Fire.
Here’s the VFX Bake-Off list!
The ten films still in contention for the 96th Academy Award for Best Visual Effects have been announced.
