Looking for the not-to-miss VFX presentations at VIEW? Here’s our picks
Our top 5 must-see sessions on visual effects at VIEW Conference.
Going old-school with the VFX on ‘Beverly Hills Cop: Axel F’
How Scanline VFX crafted a range of 1980s-inspired effects shots, many of them of the invisible variety, for the Eddie Murphy film.
‘House of the Dragon’ s2: befores and afters with Rodeo FX
Go behind the scenes with Rodeo FX visual effects supervisor Martin Pelletier on some of his studio's work for season 2 of
Congratulations to the VFX Emmy award winners
Shogun and Ripley took out the awards.
‘Alien: Romulus’ director Fede Álvarez and ‘Fallout’ director Jonah Nolan will be at VIEW
Find out more in this special preview podcast with VIEW Conference artistic director Maria Elena Gutierrez, PLUS how you can get a
Miniatures, animatronics and even oil paintings were part of the effects of ‘Time Bandits’
The old-school (and new-school) effects used to make the Taika Waititi series. Warning: this article contains spoilers!
Exclusive: Alec Gillis is speaking at VIEW Conference on practical effects and ‘Alien: Romulus’
Gillis joins a host of effects and animation artists and other filmmakers in Turin, Italy.
Behind the mask: how intricate facial animation was added onto Ryan Reynolds’ Deadpool
How Wētā FX crafted the lead character’s facial performance in Deadpool & Wolverine with Nuke and some machine learning techniques.
Inside the intricate worlds of ‘Dark Matter’
How FOLKS VFX helped create many environments for the Apple TV+ show.
Holey moley we just got a ‘2001: A Space Odyssey’ documentary with shot setup re-creations from OTOY
It's called '2001: Creating Kubrick's Space Odyssey'.
The VFX of ‘Eric’: crafting 1980s New York City environments, and a novel approach to 1980s screen replacements
Behind the visual effects of the Netflix limited series starring Benedict Cumberbatch.
Erasing Lieutenant Dan’s legs, from the point of view of a digital artist on ‘Forrest Gump’
ILM computer graphic artist Kathleen Beeler recalls the intricate paint work involved.
How a tracking algorithm helped insert Tom Hanks into news scenes with historical figures in ‘Forrest Gump’
A look back at the early days of tracking and matchmoving at ILM for the film.
Illumination’s illustration of the animation process is fun
A large illustration with some info boxes guides you through.
Here’s how Will Smith and Martin Lawrence took on a giant albino alligator in ‘Bad Boys: Ride or Die’
Behind the visual effects with Framestore.
Patreon: How a key line made its way into ‘The Lion King’
A fun nugget of info with Brenda Chapman!
How Death, the talking macaw, was brought to life in ‘Tuesday’
Behind the on-set performance and visual effects in Daina O. Pusić’s film, starring Julia Louis-Dreyfus.
Behind the scenes of Robert Zemeckis’ ‘HERE’
Including a brief look at the de-ageing and virtual production work on the film.
Making young Furiosa
How Rising Sun Pictures employed machine learning techniques to translate the look of Anya Taylor-Joy’s Furiosa to the actor playing her younger
SFX supervisor Brian Johnson discusses ‘Thunderbirds’, ‘Star Wars’, ‘Space: 1999’ and more
The SFX legend recounts his career in this interview.
Patreon: ‘Tarzan’ turns 25 – a look back at Deep Canvas
Painting 3D geometry.
Patreon: John Bruno on the original Slimer and optical compositing from ‘Ghostbusters’
The making of Slimer, and more!
The 10th Annual VES NY Celebration and how you can attend
A look at the awards, how to grab tickets and a breakdown of the event with VES NY board chairman Jose L.
‘It’s like a constantly evolving three-dimensional puzzle’
The VFX of ‘Furiosa: A Mad Max Saga’, incl the crazy War Rig scenes, impressive wasteland, immense rotoscoping, and how Anya Taylor-Joy’s
The VFX of ‘Fallout’: shooting on an LED volume on film, crafting one-eyed digital humans, mixing practical and digital, and more
Visual effects supervisor Jay Worth on the extensive visual effects of the Amazon series.
See the new features in Golaem 9 in this release video
The crowd tool updates include a new animation engine, ways to create shots without simulation, foot locking, and an ML deformer.
Patreon: ‘The Flintstones’ at 30, perhaps a forgotten turning point in VFX history
A new retro article for Patreons!
