The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.
Tag: Pierpaolo Verga
visual effects magazine
visual effects magazine
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.