‘I wanted to pull back from that sort of perfection and leave more mistakes in’
Henry Selick on the art of stop-motion and the making of his ‘Wendell & Wild’.
Avatar: Fire and Ash
Get issue #52
Order my new book
Industrial Light & Magic: 50 Years of Innovation
Creativity meets technical curiosity: an FX TD’s role on Predator: Badlands.
From classroom to credits, with Campus VFX