Sam Nicholson from Stargate Studios explains the ocean plate camera array and LED wall shoot for the Taika Waititi show.
A new way of rigging and articulation developed at Pixar called profile movers helped craft the very expressive characters in the film.
A chat about one person’s path in and beyond the visual effects industry.
Behind the scenes of a very specific scene in episode 4 of the series.
Sandworms, ornithopters, sandscreens and shields. In the latest episode of VFX Notes, Ian Failes from befores & afters and Hugo Guerra from Hugo’s Desk explore …
Model supervisor Robbie Scott goes back to the first ‘Potter’ film in this new ep.
How ILM helped transform Kristofer Hivju into the beastly character in s2 of ‘The Witcher.’
The VFX supervisor shares fun old-school stories and tales from Marvel shoots.
Behind the scenes with Untold Studios’ Ben Cronin and the Frito-Lay ‘Push It’ commercial.
A never released audio interview with the VFX pioneer.
We try to get to the bottom of the first comp done at Digital Domain in their tool.
“I’ll see you at the beginning, friend.”
A new video and audio podcast on the Marvel film is here.
“This Is The Best Thing I’ve Done In A Long Time.”