Nukepedia is making a comeback
Here's how to sign-up, plus a look at the history of the number one source of Nuke stuff.
The craziest sequence in ‘Murderbot’ and how it was made
DNEG breaks down the worm and how it ate the main character (spoiler: Murderbot shoots his way out of the creature).
Did you know about the specialized visual effects film stock that was made by Eastman Kodak to deal with red fringe artifacts?
How visual effects legend Hoyt Yeatman and tests being done for 1998’s ‘Mighty Joe Young’ led to the SFX 200T film stock.
A look behind the scenes at what it takes to make visual effects for a Wes Anderson film
Freefolk discusses its approach to invisible visual effects in ‘The Phoenician Scheme’, including stitching plates together, re-times and just the right amount
Here’s where you can find befores & afters at SIGGRAPH in Vancouver!
I'll be involved in moderating talks on 'Sinners', 'In Your Dreams' and at the RenderMan Art & Science Fair.
Find out who was nominated for an Emmy in the VFX categories
See the list right here for both VFX categories.
Need to do a face swap? Here’s some of the main considerations to think about in the new machine learning VFX paradigm
Behind the face replacement work for the ballet dancing scenes in 'Étoile'.
Looking back at the practical effects for Thing in 2005’s ‘Fantastic Four’
Spectral Motion co-founder and lead art director Mike Elizalde on the original Thing suit.
A team of just three VFX artists helped make the million dollar-winning commercial in the Doritos ‘Crash the Super Bowl’ contest
Here’s how they did it (including a whole bunch of VFX breakdown videos).
‘The number of times we talked about a blood and guts cannon in prep meetings was…fantastic’
The VFX supervisor for ‘The Monkey’ breaks down the film’s craziest and quirkiest death scenes. Plus, exclusive visual effects breakdown videos of
Planes, dams and invisible visual effects
How key scenes in Wes Anderson’s The Phoenician Scheme were made, including with miniatures!
What you didn’t know about Nuke’s 3D system and how it was developed
Get a rare insight into the making of Nuke at Digital Domain, including a Nuke script for a classic Titanic VFX shot.
A new book dives into the 3-strip dye-transfer printing process pioneered by Technicolor
And it reveals some more filmmaking history you might not already know.
OK, so how do you show a saw cutting through someone’s face?
How make-up effects work and digital visual effects combined to craft this shot.
See how MotionMaker, Maya’s new AI animation tool, works
The Autodesk toolset combines AI, motion capture and keyframing inside of Maya.
‘This Is Animation!’ from Sony Pictures Animation and Sony Pictures Imageworks lets you learn the craft
Director Kris Pearn and a host of key artists deliver this online training.
ILM’s 50th anniversary showreel
ILM has released a reel showcasing their work over 50 years.
How an airfield in the UK was turned into the Iraqi city of Ramadi for Alex Garland’s ‘Warfare’
Behind the film’s invisible visual effects by Cinesite, including environments, aerial surveillance footage and those stunning F-18 show of force shots.
The SIGGRAPH 2025 program is out – here’s some highlights!
Talks from ILM, Disney, Weta FX, DreamWorks, Framestore, and more.
VFX in support of the truth of a terrorist attack
Behind REALTIME’s visual effects for ‘Lockerbie: A Search for Truth’.
An ode to the logging truck VFX from ‘Final Destination 2’
One of the most influential pieces of visual effects in history (no, seriously).
Pre-order my upcoming book, ‘Industrial Light & Magic: 50 Years of Innovation’
You can now pre-order this ILM 50th anniversary celebration book.
How the crazy chicken jockey scene in ‘A Minecraft Movie’ was made
Plus, Sony Pictures Imageworks on ‘cubifying’ characters and environments, making Jack Black and Jason Momoa fly, and dealing with an intense array
‘We had a basket of nose picks, pratfalls, butt scratches and belly slaps to sprinkle into the action’
Behind the scenes of the climactic final battle between the Piglins and Iron Golems in 'A Minecraft Movie'.
A really, really cool ‘Toy Story’ 30th anniversary event is happening at SIGGRAPH this year
A 4K screening! At SIGGRAPH Vancouver! Plus a special introduction from Ed Catmull. And befores & afters is part of the action!
Here’s how the spaceship LED walls on that Black Mirror ‘USS Callister: Into Infinity’ episode worked
Plus, how the VFX teams crafted a space battle, completed twinning shots, and delivered teleportation and disintegration.
How to register for SIGGRAPH 2025 in Vancouver
The conference is coming up in August.
