For The Girl Who Cried Pearls, National Film Board of Canada Technical Director Eric Pouliot explains how the team chose to integrate 3D-generated mouths directly onto the stop-motion puppets filmed on set.
For more content, dive into a conversation with filmmakers Chris Lavis and Maciek Szczerbowski. The award-winning duo speak with composer Patrick Watson and artistic director Brigitte Henry about making their latest stop-motion film, The Girl Who Cried Pearls, a National Film Board of Canada production.
Brought to you by National Film Board of Canada:
This article is part of the befores & afters VFX Insight series. If you’d like to promote your VFX/animation/CG tech or service, you can find out more about the VFX Insight series here.






