A new official featurette showcases the bluescreen sets, and final work by One of Us.
The VFX studio also meticulously modeled a CG replica of the British Museum atrium.
How the Batman/Penguin batmobile chase in ‘The Batman’ was made. This week on VFX Notes, Hugo Guerra from Hugo’s Desk and Ian Failes from befores …
‘Blade Runner’ chief model maker Mark Stetson adjusts a miniature city section. Ridley Scott’s Blade Runner turns 40 today. I thought I would share one …
Pixar effects supervisor Bill Watral discusses sparks, light speed and more.
A breakdown of Rodeo FX’s Berlin dining hall visual effects in ‘Fantastic Beasts: The Secrets of Dumbledore’.
Behind the visual effects of volume one of ‘Stranger Things 4’.
Image Engine explains the meticulous roto, matchmoving and tracking involved.
The infamous 1997 film had its own form of bullet-time, before bullet-time.
The visual effects supervisor re-visits the many practical and digital challenges on the 1998 film.
The animated short is in Love, Death + Robots Vol. 3.
From season one.
Framestore walks befores & afters through the making of the shot–from previs to final–and even reveals a couple of Easter eggs you should look out for.
In this Netflix video, the Duffer Brothers break down a key fight scene.
Behind the work by Perception on the main-on-ends for the Oscar Isaac series.