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  • ABOUT
  • MAGAZINE
  • PODCASTS
  • SPONSOR
  • Twitter
  • Facebook
  • Instagram
  • LinkedIn
  • YouTube
Magazine

The latest issue of befores & afters magazine goes deep on VFX art departments

Posted onJanuary 23, 2023January 27, 2023
VFX Breakdowns

Go behind the scenes of JUNG_E

Articles

NEW to the befores & afters Patreon – LIVE STREAMS!

Articles

The volumetric capture crowd tech behind ‘I Wanna Dance With Somebody’

Articles

The VFX Oscar noms are out!

‘The Voice in the Hollow’ is an Unreal Engine short with a difference

Posted onJanuary 23, 2023 Podcasts

Real and synthetic: the VFX of ‘Top Gun: Maverick’

Posted onJanuary 17, 2023January 17, 2023 Podcasts

Framestore on designing an immersive exhibition for the Science Museum in London

Posted onJanuary 16, 2023 Podcasts

Scott Eaton on the state of A.I. in art

Posted onJanuary 9, 2023January 10, 2023 Podcasts
VFX Insight

How you can bring photoreal objects into your projects with 3D scanning app KIRI

Posted onSeptember 14, 2022September 21, 2022

How KIRI works, the difference between free and paid versions, and how your 3D scans might soon earn you money.

VFX Breakdowns

Behind the scenes of ‘Carter’

Posted onSeptember 13, 2022

Including THAT helicopter scene.

Magazine

147 3D printed pieces helped make this BBC Winter Olympics spot possible

Posted onSeptember 12, 2022

How Blinkink had to solve some interesting previs, stop-motion and 3D printing challenges for the promo. ‘Extreme by Nature’, a spot for the BBC Winter …

Articles

When you come to the VIEW Conference, it’s more than just amazing speakers

Posted onSeptember 11, 2022

The program is out, and so are details about recruitment, exhibitors and special sessions.

Articles

Exclusive: watch Proof’s previs reel for ‘The Sandman’

Posted onSeptember 9, 2022

And find out how the occultist summoning Dream sequence was visualized.

Podcasts

The AI tool used to redub F-bombs and go from an R rating to PG-13

Posted onSeptember 8, 2022

How lines of dialogue were changed in the film, ‘Fall’.

Articles

‘I wanted to pull back from that sort of perfection and leave more mistakes in’

Posted onSeptember 7, 2022

Henry Selick on the art of stop-motion and the making of his ‘Wendell & Wild’.

Articles

Total speculation: the 10 films from 2022 that could make the VFX bake-off

Posted onSeptember 6, 2022September 6, 2022

What do you think? Is this list close, right on, or completely way-off?

Magazine

Issue #6: stop-motion, music videos, Predator, DragonHeart, The Bubble!

Posted onSeptember 5, 2022September 20, 2022

120 pages of visual effects in print.

VFX Breakdowns

How Mackevision pulled off those fiery Vecna scenes

Posted onSeptember 3, 2022

Killer VFX in Stranger Things 4.

VFX Breakdowns

More on the LED wall shoots in ‘House of the Dragon’

Posted onSeptember 3, 2022

A new official featurette on the volume set that was used.

VFX Breakdowns

Watch RSVFX’s breakdown reel for s3 of ‘The Boys’

Posted onSeptember 2, 2022September 2, 2022

Lots of Soldier Boy here.

On The Set Pic

On The Set Pic: ‘The Lord of the Rings: The Rings of Power’

Posted onSeptember 2, 2022September 3, 2022

A water tank sequence from the series.

Podcasts

Part 2 of the VFX Notes podcast on ‘RRR’ is here!

Posted onSeptember 2, 2022September 2, 2022

Throwing leopards and punching tigers.

VFX Insight

‘The Book of Boba Fett’: compositing from go to whoa

Posted onSeptember 1, 2022October 6, 2022

A look behind the scenes of Hybride’s comp process on the show.

Articles

Cloth sims for an alien entity, making the sky one giant visual effect, and a rampaging chimpanzee

Posted onAugust 31, 2022August 31, 2022

Nope contains some of the most eclectic, and beautiful, visual effects you’ll see this year.

VFX Breakdowns

Watch this short featurette on the volume in ‘House of the Dragon’

Posted onAugust 31, 2022

Behind the scenes of shooting on the LED wall set.

VFX Breakdowns

Watch this breakdown of Impossible Objects’ ‘The Cloud Racer’ made in Unreal Engine

Posted onAugust 31, 2022

See the making of and the final 10-minute proof of concept short from director Joe Sill.

Podcasts

b&a podcast: How FuseFX built ships and creatures, and de-aged Dolly Parton for s3 of ‘The Orville’

Posted onAugust 30, 2022August 30, 2022

Behind the scenes with visual effects supervisor Tommy Tran.

Articles

An effects artist’s dream project: Predator mandibles, cloaking and a bear fight in ‘Prey’

Posted onAugust 30, 2022October 15, 2022

Plus, making a bear fight seven-foot-tall alien creature.

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