VFX supe Volker Engel goes back to the film, the trailer, and the production of the 1998 film.
Storytelling with previs, VFX and a Sony hand-held camera.
The first prize is €2,000.
Check out the new trailer showing a de-aged Will Smith.
‘Pleasantville’ visual effects supervisor Chris Watts on bringing through a revolution in scanning/film-outs, the unexpected use of Shake, and the film’s hardest shots (they’re not what you think).
Ridley Scott’s masterpiece is about to turn 40 – now’s the time to watch this treasure-trove of behind the scenes interviews.
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Did you know it was used in ‘Aquaman’, ‘Speed’ and ‘Cast Away’?
The system offers a new way to control the process of tracking and solving an actor’s face in real-time.
Inside the first ‘Game of Thrones’ ep from the final series.
The Total Chaos conference hits Bulgaria mid-May.
The art of (fake) historically accurate battleships.
Something very cool was shown at a panel for ‘The Mandalorian’.
That wing clip is the coolest thing EVER.
“I’m the only one here with a camera, and I’m seeing the first styrofoam mock-up of this creature, and it will never exist again.”
Featuring several of those classic Laika breakdowns.
The details on Unity’s journey into real-time ray tracing.
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A primer on Ziva and its latest tech – automated anatomy transfers.
Season 2 is even crazier than Season 1.
What Luma Pictures had to solve – not just on the technical side – when crafting their ‘Captain Marvel’ train chase.
A preview of the ‘Then & Now’ talks at FMX 2019.
They are in the car A LOT.
The true story of the original ending of ‘Snake Eyes’, and its ground-breaking water sims by ILM.
The art of the side-by-side.
How *that* shot in ‘Meet Joe Black’ was pulled off