That wing clip is the coolest thing EVER.
ILM’s Rob Bredow on making the ‘Solo’ making-of book
“I’m the only one here with a camera, and I’m seeing the first styrofoam mock-up of this creature, and it will never exist again.”
How stop-motion and VFX meet in Laika’s ‘Missing Link’
Featuring several of those classic Laika breakdowns.
Unity and real-time ray tracing: a Q&A
The details on Unity’s journey into real-time ray tracing.
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Why stop at an elephant?
A primer on Ziva and its latest tech – automated anatomy transfers.
Breaking Down Four Big Scenes from ‘American Gods’
Season 2 is even crazier than Season 1.
Things VFX supes have to think about (that are more than just about VFX)
What Luma Pictures had to solve – not just on the technical side – when crafting their ‘Captain Marvel’ train chase.
The ultimate retro VFX sessions
A preview of the ‘Then & Now’ talks at FMX 2019.
Here’s how driving comps were done for ‘True Detective’
They are in the car A LOT.
The CGI tidal wave in ‘Snake Eyes’ that no one got to…sea (sorry)
The true story of the original ending of ‘Snake Eyes’, and its ground-breaking water sims by ILM.
What goes on behind the scenes when a VFX studio does one of those ‘real vs. CG’ test shots?
The art of the side-by-side.
Remember that time Brad Pitt got hit by a van, and a taxi?
How *that* shot in ‘Meet Joe Black’ was pulled off
John Gaeta on dynamic adaptive geospatially aligned applications, and other things from the future
The Magicverse has you.
A new way to search and keep track of VFX studios
VFX studio directory site ‘We Are The Makers’ launches