Grady Cofer briefly breaks down ILM’s doppelgänger work in the film.
Mocap, motion graphics and the sails of the Sydney Opera House
A motion captured dancer and Cinema 4D artistry made these projections possible.
Get ready to get excited about…contact sheets!
Why one VFX supe is obsessive about them, and why you should be too.
Creatures, fire and atmospherics: cooking up a ‘Game of Thrones’ VFX storm
A visual breakdown of Weta Digital’s killer shots from the final season.
5 VFX and animation events not to miss at Annecy
Not long to go now…
How Ryan Reynolds was transformed into a furry yellow Pokémon
Facial capture and the actor’s awesome asymmetrical expressions helped the VFX team find the character.
4 reasons why the CG Pokémon in ‘Detective Pikachu’ were so well integrated into the film
One of those reasons: the crazy cute fur ball stand-ins.
Jar Jar Binks was nearly a practical suit and a CG head
All about that ILM Jar Jar test which proved the character should be all-digital.
‘It cost about $65 to have a cold pizza delivered in the middle of the night to Skywalker Ranch’
The intensive previs process on ‘The Phantom Menace’.