A deep dive with Hugo and Ian on an old-school film and old-school VFX techniques.
Watch the trailer for Netflix’s ‘Maya and the Three’
Meet Jorge R. Gutiérrez’s latest creation.
VFX Futures: Facial capture, CG and cut scenes on Codemasters’ ‘F1 2021’
How REALTIME and DI4D combined for the new story-mode on this racing game.
Watch Scanline’s ‘Free Guy’ VFX breakdown
Destruction, and more.
All grown up: Hybride celebrates 20 years of ‘Spy Kids’
An oral history of the VFX studio’s work on the 2001 Robert Rodriguez film.
VFX Futures: Framestore’s FIRA for portable real-time rig deformation
The VFX studio explains their tech to extend proprietary simulation and rigging tools to real-time workflows.
On the set of ‘Reminiscence’
Rebecca Ferguson and DOP Paul Cameron.
Tech Weeklies: Adobe acquires Frame.io, new Silhouette, disguise and UE 4.27, new Resolve
The latest in VFX, anim, editing and virtual production tech.
Breaking down the face replacement for this ‘Love, Death + Robots’ stop-mo short
Go behind the scenes of the ‘All Through the House’ ep with Storyline.
You can already download the in-camera VFX sample for the now-out Unreal Engine 4.27
4.27 has just been released, and a big part of its offerings relate to in-camera VFX workflows.
‘Loki’: Time doors, time turning and pruning
FuseFX reveals the secrets of these visual effects for the show.
That time Emily Blunt met pink dolphins
The visual effects behind those scenes in ‘Jungle Cruise’.
Phil Tippett goes behind the scenes of ‘MAD GOD’
A video excerpt from a VIEW Conference chat with the stop-motion/VFX legend.
Stuffie to stuntie to CGI
How ‘Jungle Cruise’ jaguar Proxima was brought to life, including with an on-set stunt performer in a jaguar-print suit.
Neill Blomkamp on what volumetric capture brought to his new horror film, ‘Demonic’
The filmmaker talks to befores & afters about venturing into vol-cap and real-time.