HBO has been releasing behind the scenes vids, often with fun VFX breakdowns.
A breakdown of how the rig worked, with visual effects supervisor Jake Morrison.
Satellite Lab detail the evolution of their specialized lighting and imaging tech.
Really cool to see digi-double asset builds and environments, and more.
Visual effects supervisor Tom Wood breaks down the big VFX challenges on the Baz Luhrmann musical.
An excerpt from issue #5 of befores & afters magazine.
Scroll through these very fun behind the scenes pics from the new Netflix show created by Neil Gaiman and Tom Sturridge.
The World War II submarine film is relying on some bespoke real-time, virtual production, live compositing, A.I. and metadata tech, all worked out in early pre-planning.
From a giant caterpillar to a giant croc.
Before you see ‘Prey’, read about the old-school way the VFX in ‘Predator’ were crafted.
‘Thor: Love and Thunder’ VFX supe Jake Morrison breaks down goat boat.
An excerpt from the ‘Everything Everywhere All at Once’ article in issue #5 of befores & afters mag.
All the details of the AWS sessions happening in Vancouver.
From ‘Everything Everywhere All at Once’ to ‘Our Flag Means Death’.
Directors, actor and VFX supe break it down.
Amber Midthunder as Naru and crew on the set of Prey.
A new article on the 30th anniversary of the film.
Universal has released this great featurette from ‘The Lost World: Jurassic Park’ with plate and final VFX shots.
“Bob had said to Meryl Streep: ‘Whatever Ken asks you to do, no matter how silly, just go with it. You can trust him.’ Because she must have been thinking, ‘What am I? What is this stupid thing?’” – Death Becomes Her visual effects supervisor Ken Ralston.
The VFX studio showcases their work for the series.