Also, behind the scenes of Framestore’s spaghettification and the Yggdrasil finale in season 2 of ‘Loki’.
The character was all CG. Plus, how the VFX team handled teleportations, how they dealt with Brie Larson’s hair, filming Goose and Flerken scenes (and those kittens!), and the StageCraft LED volume work on the film.
Behind ILM’s 700 invisible visual effects shots for Martin Scorsese’s ‘Killers of the Flower Moon’.
The ILM creative director also reflects on the importance of his past SIGGRAPH experiences.
In this EXCLUSIVE visual effects breakdown video, find out the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
The virtual production short film was also covered in depth in befores & afters magazine.
How the ‘NYAD’ visual effects team helped turn Annette Bening into an open ocean endurance swimmer.
The new tools that Walt Disney Animation Studios used to give ‘Wish’ an old-school feel.
The Academy has two short ‘Behind the Oscars Speech’ videos with the pair.
How this spectacular clash of the titans was made in episode one of ‘Monarch: Legacy of Monsters’. [SPOILER ALERT for first episode]
All in a days work for the ‘Gen V’ effects team.
Plus, a look at other VFX-related presentations coming up at the conference.
Behind the scenes of the film’s 1300 VFX shots, virtual production techniques, and miniatures work.
Behind the scenes with VFX studio beloFX.
This press release contains lots of info on the December event.
And how one of the film’s directors had to pitch it via the creative team’s WhatsApp group
Behind the visual effects on season two with VFX supervisor Raymond McIntyre Jr, including shooting on a greenscreen court with rollerblades (!), developing a specific tracking marker approach, adding crowds, and dealing with film and even broadcast video stock.
A new annual day to cast a light on the industry is taking place on 8th December.
Behind the scenes on series two with Odd Studio and its practical Isla Fisher wolf effects.
How matte paintings, miniatures and VFX artifacts become part of the Academy Museum, including one of the latest pieces from Cliffhanger.
Make your way to the Museum of Cinema & Miniature in Lyon, France.
Be the first to watch FPS’ reel containing previs work for 3 killer scenes in the HBO series.
Read Gareth Edwards’ in-depth statement on the making of ‘The Creator’: how the director and his team took the unconventional approach of shooting the film first without sets and then approaching production design and visual effects later.
The film’s description is: “Pencils Vs Pixels is a celebration of 2D hand-drawn animation and an exploration of how the Disney Renaissance of the late 1980s and early 1990s led to an animation boom that was quickly upended by the computer animation revolution that followed.”
Watch the reel first here at befores & afters.
How visual effects in ‘Gran Turismo’ helped tell this real-world gaming story.
Across the Spider-Verse, Barbie, TMNT: Mutant Mayhem, Oppenheimer, Guardians Vol. 3, Nimona, Elemental – and that’s only SOME of the projects that will be featured this year. See the full list of speakers right here.