The intensive previs process on ‘The Phantom Menace’.
How new ways of shooting, new digital tools and lots and lots of roto resulted in the laser swords of ‘Episode I’.
Projection mapping played a key role in making those racers go fast. Real fast.
How VFX took Mark Ruffalo to a whole new level of Hulk in ‘Endgame’.
A VFX oral history of ‘The Mummy’s’ coolest action scene.
Storytelling with previs, VFX and a Sony hand-held camera.
Something very cool was shown at a panel for ‘The Mandalorian’.
“I’m the only one here with a camera, and I’m seeing the first styrofoam mock-up of this creature, and it will never exist again.”
The true story of the original ending of ‘Snake Eyes’, and its ground-breaking water sims by ILM.
How *that* shot in ‘Meet Joe Black’ was pulled off
The ILM veteran breaks down 3 of his classic ‘how did they do that?’ film effects.
Do you really know how they texture painted the dinosaurs?