Articles The volumetric capture crowd tech behind ‘I Wanna Dance With Somebody’ A step-by-step on how 700 terabytes worth of volumetric capture was crafted for the concert crowds in the Whitney Houston biopic.
Podcasts Kevin Baillie on the virtual production of ‘Pinocchio’ An array of VP techniques helped make the Robert Zemeckis film possible.
Articles ‘Bullet Train’ rides the virtual production wave With plenty of final visual effects as well.