A discussion about VFX, anim, real-time content and original IP.
A new annual day to cast a light on the industry is taking place on 8th December.
Behind the scenes on series two with Odd Studio and its practical Isla Fisher wolf effects.
The VFX studio has released a new reel from the show.
Goodbye Kansas did it for this Cyberpunk 2077 – Phantom Liberty expansion trailer.
Director Francis Lawrence lines up a shot for The Hunger Games: The Ballad of Songbirds and Snakes.
A series of Instagram posts from Creation Consultants break down their 1970’s era Soviet SAM site and bunker model build, and explosion. Really really cool to see.
Showcasing the Feral Predator.
The team is recreating the derelict spaceship model from ‘Alien’ in a series of videos.
The studio has released its reel.
Behind MPC’s muzzle replacement and CG dogs (and an eagle) for ‘Strays’.
Jodie Foster as Bonnie Stoll and Annette Bening as Diana Nyad on the set of ‘NYAD’.
Includes early CG ‘Star Trek’ tests.
The VFX studio has posted its reel, which looks at main creature work and environments.
Vehicles, tech and…skeletons!
Go under the sea to see the huge environments, incredible character animation and other visual effects work by the studio.
It’s all thanks to Berton Pierce as part of his amazing YouTube channel.
How matte paintings, miniatures and VFX artifacts become part of the Academy Museum, including one of the latest pieces from Cliffhanger.
Featuring some of the greenscreen photography.
Digital Domain has released its reel for the single-shot, and the plates, compositing work, stitches, and CG elements are fascinating to look at.
Make your way to the Museum of Cinema & Miniature in Lyon, France.
The VFX studio’s reel showcases the sub at sea and parachuting sequence.
Be the first to watch FPS’ reel containing previs work for 3 killer scenes in the HBO series.
Including their stunning Demerzel head slice work.
Looking back at the tech and artistry from the 1998 film with VFX supervisor Ken Bielenberg.
Read Gareth Edwards’ in-depth statement on the making of ‘The Creator’: how the director and his team took the unconventional approach of shooting the film first without sets and then approaching production design and visual effects later.
The two leads on bluescreen.