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A new podcast on making dinosaurs and other prehistoric creatures with ILM.
The studio has released its reel showcasing work on the Star Wars series.
How this spectacular clash of the titans was made in episode one of ‘Monarch: Legacy of Monsters’. [SPOILER ALERT for first episode]
All in a days work for the ‘Gen V’ effects team.
Plus, a look at other VFX-related presentations coming up at the conference.
Behind the scenes of the film’s 1300 VFX shots, virtual production techniques, and miniatures work.
Plus, how to make a fiery dragon.
Brie Larson on the set of ‘The Marvels’.
Behind the scenes of the film.
An on-set spinning gag used to represent the ‘atomic level’ thoughts of Oppenheimer in the film.
Reallusion has announced iClone AccuFACE, an AI-powered facial tracker.
Behind the scenes with VFX studio beloFX.
Mixing practical and digital to create the hybrid creatures in ‘Sweet Tooth’: an excerpt from befores & afters magazine.
VFX supes Kelly Port and Matthew Butler, who started in the very early days at Digital Domain, reflect on the visual effects studio’s longevity, which began with films like True Lies and Apollo 13.
This featurette includes lots of on-set footage, stuffies, set surveying, and discussion from ILMers!
Director David Leitch and Ryan Gosling (as Colt Seavers) on the set of The Fall Guy.
This press release contains lots of info on the December event.
How a trip to the fish markets helped Scanline VFX deliver this fearsome creature in ‘Meg 2: The Trench.’ Read a new excerpt from issue #13 of befores & afters magazine.
Behind Reallusion’s Face Tools and its seamless integration between Character Creator (CC) and ZBrush.
And how one of the film’s directors had to pitch it via the creative team’s WhatsApp group
A really nice mix here of invisible effects work.
Creating the painterly/illustrative look.
Get the magazine in print and e-book form right now.
Behind the visual effects on season two with VFX supervisor Raymond McIntyre Jr, including shooting on a greenscreen court with rollerblades (!), developing a specific tracking marker approach, adding crowds, and dealing with film and even broadcast video stock.
This featurette includes some neat VFX-related on-set b-roll.
It’s from Rodeo FX and their latest VFX breakdown for s3 of ‘The Witcher’.