Weta Digital’s Javor Kalojanov on being part of rendering research at the top-tier studio.
Category: Articles
Early-career vfx artist Monika Batchelor on making the move from Australia to Hollywood.
Digital Domain’s Deke Kincaid on making everything ‘work like butter’.
Something was very different about the environments in the photo-real animated film.
Lion King, The Boys, the history of mocap, and more retro VFX.
What should a CG water tentacle should look like, anyway?
Behind the scenes of the stop-motion short, ‘Bone Mother’.
How Hellboy’s epic fight against 3 giants came to be.
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Lidar, shooting panos and textures 3 times a day, and closing the Bridge for just 2 minutes at a time.
And there’s one place you’ll be able to hear a lot about it…
And it involves getting a whole lot of VFX shots in-camera.
HeadShot A.I., iClone Unreal Live Link and a new shader.
Here’s what Glassbox was demo’ing at SIGGRAPH.
A nail-biting 90 seconds of invisible visual effects.