Yeti’s back with 3.5
The latest with the fur and feathers tool.
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What you need to know about tyFlow
Developer Tyson Ibele breaks down the 3ds Max particle simulator.
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Re-visiting Waldo
Henson and PDI’s motion captured CG character.
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Feather facts from ‘The Angry Birds Movie 2’
What went into crafting Leslie Jones’ Zeta character.
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Disney releases new ‘Aladdin’ behind the scenes videos
They cover the CG genie and filming the magic carpet ride.
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Four of the most batshit crazy VFX moments in ‘The Boys’ happen in the first episode
And then episode 4 has…the dolphin.
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Dozo: an early mocap marvel
The motion captured character made her debut at SIGGRAPH in 1989.
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A visual history of performance capture at Weta Digital
Gollum. Caesar. Thanos. And more.
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How practical and CG combined to tell some seriously ‘Scary Stories’
The role of VFX in bringing this deathly tale to life.
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Life as a motion capture performer
T.J. Storm has been Godzilla, the Predator and now…Vader.
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When directors put on the mocap suit themselves
Usually, it’s actors who don motion capture suits, but here’s where the director suited up instead.
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My VFX job: VFX editor
Method Studios’ Chris Kowal on what editing in VFX actually means.
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My VFX job: Rendering software engineer
Weta Digital’s Javor Kalojanov on being part of rendering research at the top-tier studio.
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My VFX job: Starting out in the industry
Early-career vfx artist Monika Batchelor on making the move from Australia to Hollywood.
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My VFX job: Senior pipeline supervisor
Digital Domain’s Deke Kincaid on making everything ‘work like butter’.
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