Posted onFebruary 9, 2021inArticle Some people have wondered if the Dark Troopers might be stop-motion
Posted onFebruary 8, 2021February 9, 2021inArticle That Super Bowl ‘F9’ trailer shot is a motion control shot
Posted onFebruary 6, 2021February 9, 2021inArticle A visual journey into the Sci-Tech hair simulation winners
Posted onFebruary 4, 2021February 15, 2021inArticle How ILM kept much of the Krayt dragon hidden in s2 of ‘The Mandalorian’
Posted onFebruary 3, 2021February 4, 2021inArticle There’s a dedicated FYC site for ‘Mank’ with VFX breakdowns
Posted onFebruary 2, 2021February 4, 2021inArticle Bunnies, planes and blood stains: the VFX of ‘The Flight Attendant’
Posted onFebruary 1, 2021February 2, 2021inArticle ‘This is where we add the 30 foot liquid metal shark’
Posted onJanuary 30, 2021February 2, 2021inArticle Inside the latest SideFX Houdini demo project: ‘The Dawning’
Posted onJanuary 29, 2021January 29, 2021inArticle These open source Silhouette scripts could help your roto workflow
Posted onJanuary 25, 2021January 28, 2021inArticle Everything you need to know about making the monsters of ‘Monster Hunter’
Posted onJanuary 23, 2021January 25, 2021inArticle ‘Outside the Wire’: check out this VFX breakdown video
Posted onJanuary 21, 2021January 25, 2021inArticle Go even more behind the scenes of this ‘Stranger Things’ monster
Posted onJanuary 20, 2021January 25, 2021inArticle This indie film with more than 500 VFX shots took more than 5 years to make
Posted onJanuary 19, 2021January 20, 2021inArticle An interesting video about making ‘Call of Duty: Black Ops Cold War’
Posted onJanuary 12, 2021January 13, 2021inArticle Flashback to the cool Kato-vision shots in ‘The Green Hornet’
Posted onJanuary 6, 2021inArticle Reminder: there’s a whole YouTube channel dedicated to in-camera effects