It shows more of the character powers. Amazing.
Category: Article
Learn how some animation studios have been dealing with COVID-19
This ftrack session will look at remote working pipelines, and the impact on crew.
Go inside the LEDcave with ‘STRANDED’
Just one example of a virtual production short film.
Dive into these 3 TVC VFX breakdowns
Cars, cars, and perfume.
I am ready for King Shark
A sneak peek of ‘The Suicide Squad’.
Five SIGGRAPH 2020 sessions to see next week
The Mandalorian, The Irishman, Spies in Disguise, a history of PDI and more.
Watch these Encore ‘Supergirl’, ‘Doom Patrol’ and ‘Flash’ reels
Showcasing the studio’s work on some recent shows.
The latest Academy Software Foundation updates
New members and latest OpenColorIO version.
The invisible visual effects of Judd Apatow’s ‘The King of Staten Island’
Pixomondo breaks it down in this exclusive video.
The art of digi-double handmaids
Video VFX breakdown: Mavericks VFX on s3 of The Handmaid’s Tale.
So, how do you show a spacecraft launching from the ocean?
Crew members from Union VFX reveal how they did it in ‘For All Mankind.’
‘Drool is not an afterthought, it’s a feature’
Framestore goes behind the scenes of their CG creature work for ‘Lovecraft Country’.
Breaking down the demons
A visual look behind The Embassy’s key VFX shots for ‘Warrior Nun’.
How 4 films used LED strips to illuminate actors for interactive light
The Nic Cage example is…awesome (of course).
Fire, prosthetics, LEDs and VFX: ‘Project Power’
How Newt was…well…spoilers.
This ‘An American Pickle’ featurette celebrates the VFX work
I love that it’s called ‘The art of twinning.’
SIGGRAPH 2020 preview: Framestore’s Fibre
Behind the scenes of the studio’s dynamics solver.
Autodesk Vision Series now virtual
Here’s the full programme.
The newest speaker announced for VIEW Conference is…Phil Tippett!
He’ll be diving into stop-motion, visual effects and the art of making films.
If you’re squeamish, maybe don’t watch this ‘Old Guard’ breakdown reel
But it does show the fantastic VFX work by Image Engine.
‘Westworld’: what it took to transform the Los Angeles skyline
Pixomondo on its future LA VFX work.
There’s some clever practical filmmaking in Damien Chazelle’s vertical iPhone movie
The director of ‘La La Land’ even included an in-camera iPhone composite in the vertically shot ‘The Stunt Double’.
Behind Prop Store’s Nostromo model restoration
Just in time for the huge live auction later this month.
It’s pretty wild to see this ‘Kissing Booth 2’ scene was filmed on greenscreen
Netflix has posted a befores and afters vid.
How to set up an indie virtual production studio at home
Matt Workman breaks down his work-from-home approach using Unreal Engine.