‘Instead of thinking on modeling passes, texturing passes and lighting passes, I do illustration passes.’
Meet Bassam, and the VFX team behind it.
‘Imagine Tilt Brush, which allows you to paint in 3D space, but for hair.’
‘I am fascinated by the form in the height of drama, or the apex of a movement.’
Behind the scenes of that Florida causeway scene in the James Cameron spy adventure.
‘It’s almost like I’ve got to break down the complexities of what a human is into simple aspects.’
From miniature effects, to CG fire sims.
A preview of Cascadeur, and what they’ll be demo’ing at SIGGRAPH.
Plus lots of insights into sessions at SIGGRAPH you might not already know about.
(In which 5 things becomes a lot more than that…sorry).
Spoilers. Spoilers. Spoilers. Spoilers.
Photos of the space, and notes from the architecture firm behind the design.
The film won Best in Show at this year’s SIGGRAPH Electronic Theater.
DNEG’s crew breaks down layout, anim, FX, lighting and comp for a single VFX shot from the George Clooney show.
…and other stories about the film’s classic invisible VFX.